I spent this past year in Provence, rediscovering my roots. Having visited Provence since I was a child, I have very fond memories at my grandparent’s home of playing in the fields and jumping into my great-grandfather’s fountain filled will very cold spring water. In my early 20’s, I went to the Leo Marchutz School of Painting in Aix-en-Provence. During that time, I fell in love with painting and grew to find this region as a spiritual haven. This past visit was the longest at over 10 months. It’s a place where I feel grounded and I’ve recently decided to make Provence my primary studio space. 

J'ai passé l'année dernière en Provence, à redécouvrir mes racines. Venu en Provence depuis mon enfance, je garde de très bons souvenirs de la maison de mes grands-parents : jeux dans les champs, plongeons dans la fontaine de mon arrière-grand-père, remplie d'eau de source très fraîche. Au début de la vingtaine, j'ai fréquenté l'école de peinture Léo Marchutz à Aix-en-Provence. C'est à cette époque que je me suis passionné pour la peinture et que j'ai découvert cette région comme un havre de paix spirituel. Ce dernier séjour a été le plus long, plus de dix mois. C'est un endroit où je me sens bien ancrée et j'ai récemment décidé de faire de la Provence mon principal atelier.

Over this past year, I have driven through mountains and pastures throughout Italy and France. It has allowed me to contemplate how I weave through life while I continuously grow as an artist. I know how fortunate I am, and it is because of all of you! I appreciate your continued support.
I wish you a very warm holiday season filled with love, peace & joy !

New Representation in Dallas Texas & The closing month of Personal Structures in Venice.

I’m honored to be with Breitbard Williams Fine Art in Dallas Texas. BWFA is a unique blend of art consulting and fine art gallery. Their 5200 square foot design district location showcases a revolving group show of over 50 mid-career to blue-chip contemporary artists.

Many Thanks to the ECC during the closing month of Personal Structures: Beyond Boundaries. They have done an extraordinary job in the organization and curation of this exhibition.

Karen Silve at the Venice 2024 Art Biennial - Personal Structures

I am thrilled to be a part of this exhibition in Venice! My work will be on the 1st floor of Palazzo Mora with a special opening on Friday November 19th. See more to give you a better understanding of the importance of this exhibition.

Wishing you and your loved ones a very warm holiday! And to embrace the darkness and the light to come on this winter solstice.

I'm excited to share with you these two new paintings inspired by my travels in Italy and France. They are on their way to the Madison Gallery in California. I've also included a commissioned artwork I finished at the end of last year for a Miami client. Plus, my solo exhibition at the Calloway Fine Art & Consulting Gallery in Georgetown going on right now!

I am very honored to have my artwork in this incredible Ferry! Brittany Ferries latest ship, Salamanca, promises a smooth and quiet voyage with lower emissions being their first to use LNG (liquefied natural gas). The Ferry goes from Portsmouth UK to Bilbao Spain. On the interior, the design team wanted to embody the sights, sounds and tastes of the region she will serve giving passengers an experience of their destination from the moment they step on board. From delicious food and comfortable cabins, to fine art. I’m honored they chose my large paintings to be featured in the main atrium which embodies the spirit of the city of Salamanca, and Spain in general. My smaller works are also featured in the Portside Forward Lounge. I am thrilled!

When I thought it couldn’t get worse… it did. Portland suffered from a lot of destruction downtown and nationalized riots. Then the wild fires came and Portland was under smoke for a couple of weeks. I couldn’t see my neighbor’s house and the smoke leaked into my old 1911 house. All of the sudden seeing any friends, indoor or out, was impossible. I closed off my house and stayed in one room with my studio air cleaner. A continuous claustrophobia overwhelmed me. I felt like I couldn’t breath.

June 2020 - COVID has changed us forever and interrupted our lives. Uncertainty is something we live with now. However, some of these changes brings us more strength.

Life changes create new ideas and new work. I had a lot of life changes in 2018. These works reflect those changes. I decided to share the process I went through to develop this highly personal body of work. They will be exhibited in Washington DC at Susan Calloway Fine Art in Georgetown. Opening Reception is May 4th.

In France this past summer, I experienced flying in an two person airplane. When my family friend invited me up, I said “yes” without hesitation, but knew I was going to have to face my fears since I’m claustrophobic.

Facing my fears was something I was going through in my own personal life. After a break up with a life partner and living in France in which I struggled communicating, I had a weight in my gut every morning that I didn’t know how to get rid of. These insecurities slowly tore away at me. I felt beholden to my own fears.

After 4 weeks of french language school then traveling to Paris, some artworks really stood out.

Traveling and the unique experiences it brings has become my greatest artistic inspiration. I went to Beijing for the first time in the Spring of 2016. I had never been to China before and wanted to experience it with fresh eyes.

A few days into the trip, I realized I was repeatedly inspired by the thoughtfully pruned trees. The blossoming cherry trees had their own vibrant beauty. However, it wasn’t just the cherry trees, but every tree throughout the city. From the parks, temples, gardens, and along the streets, all of the trees demanded respect. Many of them were just starting to leaf out which allowed me to see the structure of the trees. Such care was taken with each tree, and the older trees were well supported. In the Imperial Garden of the Forbidden City, there was a very old tree with a huge steel frame around the trunk holding up the heavy branches. In the Botanical Gardens there was a 3,000 year old tree with it’s large branches supported by other trees which had been grown to hold them up.